Design Thinking, Media, Community, Spring 2022

Design Thinking & Engaged Media, Fall 2021

Design Thinking, Media, Community, Spring 2021

Design Thinking & Engaged Media, Fall 2020

“Cosmography via LifeLines: A Traumaturgy of Making Cures.” Jon McKenzie, Bryan Reynolds, leeny sack, Saviana Stanescu.  La Deleuziana 15 – Making Cosmos: The Tangle Of The Universe. 2022 (2023): 119-178.

“Sonja, Artemis, Greta, Bernard: An Interview on S/CARE PACKAGES.” John Tinnell, Jon McKenzie, Ana Vujanović, Daniel Ross. The Journal of Art and Media Studies 30: 2023: 177-204.

“Cosmographies of Worlding and Unworlding: Prompts for Avant-Garde Disastronauts.”  The Journal of Art and Media Studies 30: 2023: 1-16.

“The Thinkers: Thought–Action Figures #7.” Jon McKenzie and Aneta Stojnić. In Performing Institutions: Contested Sites and Structures of Care. Ed. Anja Mølle Lindelof and Shauna Janssen. Chicago: University of Chicago. 2023.

“Doing Things With Worlds: Philosophy Becomes Cosmography.” Sara Baranzoni, Paolo Vignola, Jon McKenzie. Conversation in Performance Paradigm 17, 2022: 148-156.

“Mise en abyme: A Tour of Jon McKenzie’s Thought-action.” Nien Yuan Cheng, Chris Hay, Emma Willis, Jon McKenzie.  Interview in Performance Paradigm 17, 2022: 122-144.

“The Making of Perform or Else.” Tim Edkins, Jon McKenzie. Interview in Performance Paradigm 17, 2022: 107-121.

“Digitality, Transmedia Knowledge, Collective Thought-Action,” Biblioteca Teatrale: Rivista Semestrale di Studi e Ricerche sullo Spettacolo. 137:1 (2022): 279-292.

“Collective Thought-Action: On Lecture Performances, Transmedia Knowledge, and Designing Possible Worlds.” Serbian Architecture Journal. Special issue: Mapping Contemporary Regional Discourses.  2019/2. (DRAFT MANUSCRIPT W LINKS).

“The Vita Perfumativa and Post-dramatic, Post-conceptual Personae.” In The Routledge Companion to Theatre and Politics. Ed. Peter Eckersall and Helena Grehan. London: Routledge, 2019. Pp. 33-37. (full draft text)

“Forgetting Machines: From Memory Theatres to Critical Rap.” Performance Research 23:4/5: On Reflection: Turning 100. 2018. Pp. 195-197. 

“Ouisconsin Eidos, Wisconsin Idea, and the Closure of Ideation.” In Inter Views in Performance Philosophy: Crossings and Conversations. Eds. Anna Street, Julien Alliot, and Magnolia Pauker. London: Palgrave-Macmillan, 2017.

“Philosophical Interruptions and Post-Ideational Genres: Thinking Beyond Literacy.” An Interview with Jon McKenzie by Anna Street. In Inter Views in Performance Philosophy: Crossings and Conversations. Eds. Anna Street, Julien Alliot, and Magnolia Pauker. London: Palgrave-Macmillan, 2017. 

“Discargo: Überoverundunder.” In PhoneHome: Llama a Casa Exhibition Catalogue. Eds. Dorita Hannah and Shauna Janssen. Hobart: University of Tasmania School of Creative Arts/School of Architecture: 2017. Np. (bilingual English/Spanish).

“Performance and Democratizing Digitality: StudioLab as Critical Design Pedagogy.” In Performing the Digital: Performance Studies and Performances in Digital Cultures. Ed. Timon Beyes, Martina Leeker, and Imanuel Schipper. Bielefeld, Germany: Transcript Verlag, 2016.

“Stratification and Diagrammatic Storytelling: An Encounter with Under the Dome.” In lo Squaderno: Explorations in Space and Society. no. 37, September 2015. Pp. 13-18.

“Revisiting Jon McKenzie’s Perform or Else: Performance, Labour and Pedagogy.” Interview of Jon McKenzie by Tim Edkins and Stevphen Shukaitis. Ephemera: Theory & Politics in Organizations 14(3) (2014): 523-541.

Review by Kellen Hoxworth of Disastronautics: How to Do Things with Worlds by Jon McKenzie & Ralo Mayer. Performance Research 19·3 (2014): pp,112-113.

“Posthuman Misperformance: BP and the Flight of the Whooping Cranes.” In MISperformance – Essays in Shifting Perspectives. Ed. M. Blažević and L. C. Feldman. Ljubljana: Zbirka Mediakcije and MASKA, 2014. Pp. 45-59. 

“Performativitäten, Gegen-Performativitäten und Meta-Performativitäten.” In Performing the Future. Ed. Erika Fischer-Lichte and Kristiane Hasselmann. Munich: Wilhelm Fink Verlag, 2013. Pp. 141-159 (German).

“Smart Media at the University of Wisconsin-Madison.” Enculturation: A Journal of Rhetoric, Writing and Culture 15 2013.

“Performance y Globalización.” In Estudios Avanzadas de Performance. Ed. Diana Taylor and Marcela Fuentes. Mexico City: Fondo de Cultura Economica, 2011. Pp. 431-458 (Spanish).

“The Revelations of Dr. Kx4l3ndj3r.” In Ralo Mayer, Obviously a Major Malfunction/KAGO KAGO KAGO BE. Linz: Verlag für Moderne Kunst, 2011 (bilingual English/German).

“Abu Ghraib and the Society of the Spectacle of the Scaffold.” In Thinking – Resisting – Reading the Political: Current Perspectives on Politics and Communities in the Arts Vol. 2. Edited by Anneka Esch-van Kan, Stephan Packard, and Philipp Schulte, 2013. Berlin: Diaphanes.

“Global Feeling: (Almost) All You Need is Love.” In Performance Design. Ed. Dorita Hannah and Olav Harsløf. Copenhagen: Museum Tusculanum Press, 2008. “

“The Performative Matrix: Alladeen and Disorientalism.” Performance Research. 13.2 (2008): 26-38. 

“StudioLab UMBRELLA.” In The Illogic of Sense: The Gregory L. Ulmer Remix. Ed. Darren Tofts and Lisa Gye. Electronic book published by Alt-X Online Network. 2007.

“Performance and Globalization.” In Handbook of Performance Studies. Ed. D. Soyini Madison and Judith Hamera. London: Sage, 2006.

“Hacktivism and Machinic Performance,” Performance Paradigm 1: March 2005. Electronic journal.

“High Performance Schooling.” Parallax 31 (2004): 50-62.

“Democracy’s Performance.” TDR: The Drama Review 47.2 (2003): 117-128.

“The Hole in My Life.” Frakcija: Performing Arts Magazine 20-21 (2001): 90-93 (bilingual Croatian/English).

“Towards a Sociopoetics of Interface Design: etoy, eToys, and TOYWAR.” Strategies: A Journal of Theory, Culture and Politics 14.1 (2001): 121-38.

“!nt3rh4ckt!v!ty,” Style 30.2 (1999): 283-299. 

Interview about StudioLab. The Wired Professor: A Guide to Incorporating the World Wide Web in College Instruction. Anne B. Keating with Joseph Hargitai. New York: New York University Press, 1999. Pp. 95-100.

“Genre Trouble: (The) Butler Did It.” The Ends of Performance. Peggy Phelan and Jill Lane, eds. New York: New York University Press, 1997. Pp. 217-235. 

“Nouveaux Sites en Coulisses: Auteur de The Nerve Bible de Laurie Anderson.” Trans. Frédéric Maurin. Théâtre/Public 127 (1996): 67-69 (French).

“Laurie Anderson for Dummies,” TDR: The Drama Review 41.2 (1997): 30-50.

“Telepathy, The Elephant Man, Monstration,” Journal of Popular Culture 28.4 (1995): 19-37

“Virtual Reality: Performance, Immersion, and the Thaw,” TDR: The Drama Review 38.4 (1994): 83-106. 

“Tabloid Theory and the Remains of Science.” Lusitania 4 (1993): 101-112 (bilingual English/Portuguese).